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Friday, August 2, 6:00-7:00PM

Saturday, August 3, 4:00-5:00PM

Sunday, August 4, 6:30-7:30PM

ANA Chapel

Sarah Cahill, piano

Artist website

Sarah Cahill, recently called “a sterling pianist and an intrepid illuminator of the classical avant-garde” by The New York Times, has commissioned and premiered over sixty compositions for solo piano. Cahill’s latest project is The Future is Female, a ritual installation and communal feminist immersive listening experience featuring more than forty compositions by women around the globe, ranging from the 15th century to the present day, including new commissioned works.

August 2 Program: The Future is Female, part 1

Music for Piano (1989/1997) . . . Frangiz Ali-Zadeh

St. Petersburg Waltz (1997) . . . Meredith Monk 

Rituál (1987) . . . Tania León

She Dances Naked Under Palm Trees (2019) . . . Theresa Wong

Ballade (2005) . . . Kaija Saariaho

Peggy’s Rag (1996) . . . Elena Kats-Chernin

August 3 Program: The Future is Female, part 2

Ear-Walking Woman (1996) . . . Annea Lockwood

Unseen (2018) . . . Deirdre Gribbin

Heights and Depths of Love, first mvt.(2009) . . . Žibuoklé Martinaityté

Chaconne (1962) . . . Sofia Gubiadulina 

Quintuplets Play Pen (2001) . . . Pauline Oliveros 

Glass Houses No. 7 (1981) . . . Ann Southam

August 3 Program: Music by and for Terry Riley

Keyboard Studies (1965) . . . Terry Riley

Circle Songs (2014) . . . Danny Clay

The Walrus in Memoriam (1993) . . . Terry Riley

Sparkita and Her Kittens (2015) . . . Christine Southworth

Shade Studies (2014) . . . Samuel Adams

Be Kind to One Another (2008/2014) . . . Terry Riley